Vintage Poster
The Man with the Camera
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This Man With the Camera Poster is one of the few famous Soviet films that celebrated a notable influence on cinema. Ideal for your decor!
- Paper characteristic:
- 🎨 Canvas: world standard in terms of printing and imitating a “painting canvas” appearance .
- By default, the poster contains a 4 cm white border for framing (frame not included). If you don't want it, please choose "without white border".
- ✅ Size: several choices available . ✅
- Great UV resistance .
- Maximum color vibrancy, without reflections .
- Recycled paper, guaranteeing respect for the environment.
- Poster carefully packaged and delivered in a protective tube for total protection .
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FREE STANDARD DELIVERY .
⚠️ Frame not included. ⚠️
Description of this Poster The Man With The Camera
The Man with the Movie Camera (Russian: Человек с кино-аппаратом, romanized: Chelovek s kino-apparatom) is a 1929 Ukrainian experimental silent documentary film, directed by Dziga Vertov and edited by his wife Yelizaveta Svilova.
Vertov's feature film, produced by film studio VUFKU, presents urban life in the Soviet cities of kyiv, Kharkiv and Odessa. There are no actors. From dawn to dusk, Soviet citizens are shown at work and play, and interacting with the machines of modern life. To the extent that the film can be said to have "characters", they are the cameramen of the title, the film's editor, and the modern Soviet Union that they discover and present in the film.
Man with a Movie Camera is famous for the range of cinematographic techniques that Vertov invented, employed or developed, such as multiple exposure, fast motion, slow motion, freeze frame, match cuts, cuts jump shots, split screens, Dutch angles, extreme close-ups, tracking shots, reverse sequences, stop motion animation and self-reflexive visuals (at one point the film features a split screen tracking shot; the sides have opposite Dutch angles).
Man with a Movie Camera was widely rejected upon its initial release; the work's rapid breakdown, self-reflexivity, and emphasis on form over content have been criticized. However, in the British Film Institute's 2012 Sight & Sound poll, film critics voted it the 8th best film ever made, and it was later named the best documentary of all time by the same magazine.
