With this Le Rendez-vous Poster, discover the timeless magic of the 1961 film directed by Jean Delannoy. Immerse yourself in a captivating love story, where intertwined destinies and burning passions meet. Let yourself be transported by the intense emotions of this cinematic masterpiece, which still captivates and moves today. Don't miss this unique cinematic experience, combining romance, suspense and depth. “Le Rendez-vous” is a jewel of the seventh art that you absolutely must discover, a true pearl of Jean Delannoy’s filmography which will captivate you from start to finish.
- Paper characteristic:
- 🎨 Canvas: world standard in terms of printing and imitating a “painting canvas” appearance .
- By default, the poster contains a 4 cm white border for framing (frame not included). If you don't want it, please choose "without white border".
- ✅ Size: several choices available . ✅
- Great UV resistance .
- Maximum color vibrancy, without reflections .
- Recycled paper, guaranteeing respect for the environment.
- Poster carefully packaged and delivered in a protective tube for total protection .
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FREE STANDARD DELIVERY .
⚠️ Frame not included. ⚠️
Description of this Le Rendez-vous Poster
By coincidence, Pierre Larivière meets his first wife, Madeleine, in a café where she is waiting for her lover, a young photographer working for John Kellermann, the oil magnate who has become Pierre's new father-in-law, without mutual sympathy. The former spouses exchange a few seemingly innocuous sentences before separating. Édith Larivière, deeply in love with her husband, is torn between him and her father, for whom she works as a secretary. Daphné, her younger sister, who is very conscious of her beauty, leads the carefree life of a rich girl and that evening, she sets her sights on Daniel, the photographer, with whom she begins a tumultuous relationship. In the days that follow, Pierre sees Madeleine again, who discovers Daniel's infidelities.
One night, while Kellermann and Edith are away attending the launch of an oil tanker, Madeleine, who has just broken up with Daniel, comes to ask Pierre for money and moral comfort. He introduces her to their son Bruno and indulges in a gesture of tenderness which is surprised by the nanny. Meanwhile, Daphne has dinner with Daniel who ends up kicking her out. In the morning, the young boy is found murdered. Inspector Maillant tries to solve the mystery. The murder weapon is a pistol bought by Madeleine, but she has an alibi: she was with Pierre at the time of the murder, while Daphné spent the evening with Daniel.
The investigation comes up against the Kellermann family: Larivière agrees to testify that his sister-in-law had dinner with him and spent the fatal evening in his company. The Kellermanns would therefore let Madeleine be condemned if Pierre did not strive to prove her innocence. But then Daphne becomes suspicious, as does Paul, Kellermann's secretary and Daphne's lover. Inspector Maillant and Pierre Larivière will each discover the truth, a family secret unknown to everyone, including Pierre, but discovered by Daniel: the existence of a young, infirm sister of Kellermann, Catherine, whose photographer had succeeded in making himself loved and which he used to blackmail the tycoon, insisting on marrying her in order to enter the family.
Pierre finds his wife and his young sister-in-law, Edith leaves by car with the young girl, but they argue and cause an accident in which they both die. John Kellermann then claims to the inspector that he is Daniel's murderer, but the inspector does not believe him and guesses that in reality, it was Edith who killed the photographer. Kellermann lets him know that he does not intend to change his version. Pierre and Madeleine reconcile, and the film ends with the image of Madeleine crossing the beach to find her son.